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performance at à suivre #39 – hochschule der künste, bern 2021
the aesthetics of expediency come to the fore, and with it the mood and the question of convention and tradition before and during the concert situation.
by recording and manipulating the acoustic environment in the concert hall, a soundscape is created that summarizes what has just been experienced from a new perspective. the audience is not only confronted with themselves, but also with their surroundings and the entire reorganisation situation between the concerts. the performing person wears a subtle radio link microphone and is involved in various stage technology tasks and mingles with the audience.
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